Motherland Chronicles #44 - Germaine II

Motherland Chronicles #44 - Germaine II

Photography: Zhang Jingna
Hair: Junya Nakashima
Makeup: Tatyana Kharkova
Model: Germaine Persinger
Assistants: Tiffany Liu, Melissa Castor, Evenlyn Liu
Dress: Leonid Gurevich.
Necklaces: Harlequin Romantique

Shot with Profoto's new Umbrella Deep XL White~ Check out the post feature here. :D

Motherland Chronicles #42 - Tabitha

Motherland Chronicles #42 - Tabitha

Photography/makeup: Zhang Jingna
Hair: Junya Nakashima
Model: Tabitha Ashura
Photo Assistants: Alyssa Yee, Shirley Yu
Necklaces: Harlequin Romantique

Tabby is a model and friend of one of my favorite artists Lu Cong. He was in NY a while ago and introduced us when he came on set one of my shoots. 

I meant to do a casting test with Tabby but she stayed so far from me I ended up making it a Motherland shot in the end haha and did the makeup and everything to. So if it looks less stellar than usual you know whose fault that is. :( 

Also took a couple clean portraits while testing the new Profoto umbrellas, the light is so gorgeous! :3

Love this one so much cuz it looks exactly like her expressions in Lu Cong's paintings :D 

I'd been meaning to do a behind-the-scenes for the fire shoot but haven't had time, so this is up first, till I get around to finishing that one~ :D

Motherland Chronicles #38 - A Prayer

Motherland Chronicles #38 - A Prayer

One for every soul lost.

Photography: Zhang Jingna

Hair: Junya Nakashima

Makeup: Tatyana Kharkova

Model: Germaine Persinger

Photo Assistants: Ngoc Vu, Linda Chow, Cong Lu

Dress: ArmStreet

Circlet & Choker: Harlequin Romantique

There is something a little more European about this image than the rest of my Motherland Chronicles pieces, I thought that was kind of nice. Then I realized that the pale hair and lashes reminded me of Ayami Kojima's work a little, which I thought hey, was pretty cool too, didn't see that when I was shooting. 

On set I had one of my favorite artists Lucong hang out and assist which was super sweet and kinda made me nervous, because omg someone I admire is watching my ghetto set where I take 10294828 hours just to get one picture. But, it turned out to be a really pleasant experience and we chatted about ways we work, old forum days and all that. :D

Super backlogged with posts and stuff but working on it! Excited about BlizzCon tomorrow!

Motherland Chronicles #35 - Kalli

Motherland Chronicles #35 - Kalli

Photography: Zhang Jingna
Hair: Kelsey Petersen
Makeup: Lindsey Rivera
Model: Kalli Keith
Photo Assistants: Andre Wijono, Tobias Kwan, Michelle Herbert
Dress: Michelle Hebert

My mini obsession with braids and smoke go on. Also branches, Toby uses them a lot in his pieces so I figured I should try to add some hints of that as well. Coyote skull from his collection.

Shot this on the same day I did "In a Secret Garden". A rarity because I don't usually do more than one concept for Motherland Chronicles photoshoots because each one takes so much time to finesse and execute. 

But because I stay in Irvine and didn't want everyone travelling from LA to only do one picture, I tried squeezing 2 that day. Super ambitious of me >_<. But I'm glad we managed to make this work as well. Thank you team! ❤

Motherland Chronicles #32 - Ea

Motherland Chronicles #32 - Ea

Ea means fire. Inspired by Suemi Jun's paintings. ♥  

Photography: Zhang Jingna
Hair: Junya Nakashima
Makeup: Viktorija Bowers
Model: Germaine Persinger
Photo Assistants: Ngoc Vu, Ernie Chang, Tiffany Liu

Headpiece: Harlequin Romantique

Backdrop: Savage Verona Hand Painted Muslin

Not often do I get to pinpoint specific inspirations for a piece of work. But I think this one is a little more deliberate than usual and is a rather good example. In this post I'll go over my process from inspiration to final image.

A little while ago, as I was musing about the lack of high fantasy anime/manga works in recent years, I started looking through Suemi Jun's works again.

Being one of my favorite Japanese artists besides Yoshitaka Amano, I thought, since I'm doing all these Amano-inspired pieces, why not explore something from other artists I love too? (Or in which I couldn't get Suemi Jun's works out of my mind for a couple of weeks.)

I first saw Suemi Jun's artbooks Gen and Haku at Kinokuniya in Singapore some 10-11 years ago. I fell in love with these covers:

They're so beautiful aren't they? ;_;

And thanks to the wonders of internet, I found this amazing collection of scans from Gen, making me wish I had brought the books with me to NY instead of leaving them back in Singapore.

So works re-discovered, I started thinking about how to put a shoot together.

I spent a few days looking at his paintings and then stopped completely, to think up the concept based on impressions his work left in my mind. Based around that, I gave directions to my hair and makeup team on the look to create. 

Then came the clothing and accessories. Fortunately, I'd already had them loaned to me so I didn't have to go searching. All that was left was just getting smoke and a backdrop for the mood I wanted for the picture.

For smoke I rented a fog machine. With it, I could achieve what Jun sometimes does in his paintings, where the edges of his characters' clothes and hair faded off to the background in loose strokes, as if there was fog or fire.

To compliment and complete that effect, I used the Savage Verona muslin backdrop to recreate the rich browns and reds Jun often uses in his backgrounds.

Featuring the Savage Verona Muslin backdrop

At this, I know some of you probably think the smoke and backdrops are unnecessary details. I get that. I know there's a lot that can be done in Photoshop, but I really like being able to direct each element in a shoot. It makes me feel as if I'm creating fantasy in real life. That authenticity and experience is something I don't quite want to lose to digital manipulations, and is an aspect of photography that I deeply enjoy.

But because of that we ended up spending the whole afternoon on just the one shot in order for me to get the smoke, wind and hair placements just right. T_T;;

And even though I shot it warmly, I couldn't resist going with my usual greenish tones during processing at first. I did go back to reds and browns for tones eventually though. 

Work-in-process thumbnails:

This is probably my new personal high for the number of states a photo has gone through before reaching the end result. Just look at how many times I fooled myself into thinking that it was the 'final' (starting at end of first row), so sad. T_T;;;

But still, I know all the minute changes were necessary and paid off, just hope that it won't be like this every week because sleep is sometimes really good to have too. .___.

Motherland Chronicles #31 - Book of Roses

Motherland Chronicles #31 - Book of Roses

Photography: Zhang Jingna
Styling: Phuong My
Hair: Junya Nakashima
Makeup: Viktorija Bowers
Model: Germaine Persinger
Photo Assistants: Ngoc Vu, Ernie Chang, Tiffany Liu

Dress: Phuong My
Earrings: Harlequin Romantique

This was part of a shoot where I got overly ambitious and tried to do 3 completely different shots for Motherland Chronicles, when I usually do only 1 or 2.

I had the concepts and clothes all planned out, and even an order as to how I'll be posting the shots, only to realize on morning of shoot that the very first look was missing its dress, because I had forgotten to confirm with the designer I was borrowing from as I was super busy shooting the days before. I was so sad. T_T;;;

But!! I got to do braids and pearls, and books and flying petals, which is like all my favorite things combined. So not all is lost.

And my team has levelled up to professional petal-throwers. Which is rather awesome.

Here's a couple behind-the-scenes:

I like this shot a lot because it feels kind of poetic. But rather unintentionally, I realized later that it's a perfect a side by side comparison between a seamless paper backdrop and the Savage Black/White Collapsible.

Because the collapsible is made from light-absorbing fabric, it gives a much cleaner black background than the regular seamless paper backdrops which reflect light. It's also mobile and easy to set up since it folds and unfolds like a large reflector. Pretty handy. :D

Viktorija touching up makeup and Junya the hair. I love braids. ♥

Reviewing photos~

Going to L.A. this Thursday for more Motherland stuff! Can't wait to show you what we're working on. :D