Flowers in December

Flowers in December
Phuong My FW13/14 Collection

Photography: Zhang Jingna
Styling: Phuong My
Hair: Junya Nakashima
Makeup: Viktorija Bowers
Model: Kwak Ji Young @ Wilhelmina
Photo Assistants: Ngoc Vu, Ernie Chang
Backdrop: Savage Universal

When I was writing my 2013 wrap-up post I realized that I never got around to posting a lot of the editorials I did last year. Figured I should at least put up my favourite one, sigh I am so bad at blogging. :(

Motherland Chronicles #42 - Tabitha

Motherland Chronicles #42 - Tabitha

Photography/makeup: Zhang Jingna
Hair: Junya Nakashima
Model: Tabitha Ashura
Photo Assistants: Alyssa Yee, Shirley Yu
Necklaces: Harlequin Romantique

Tabby is a model and friend of one of my favorite artists Lu Cong. He was in NY a while ago and introduced us when he came on set one of my shoots. 

I meant to do a casting test with Tabby but she stayed so far from me I ended up making it a Motherland shot in the end haha and did the makeup and everything to. So if it looks less stellar than usual you know whose fault that is. :( 

Also took a couple clean portraits while testing the new Profoto umbrellas, the light is so gorgeous! :3

Love this one so much cuz it looks exactly like her expressions in Lu Cong's paintings :D 

I'd been meaning to do a behind-the-scenes for the fire shoot but haven't had time, so this is up first, till I get around to finishing that one~ :D

Anouk van Kleef by Zhang Jingna

Anouk van Kleef by Zhang Jingna
Fashion Gone Rogue Exclusive, Nov 2013

Photographer: Zhang Jingna
Stylist: Michael Tucker
Hair Stylist: Shinya Nakagawa
Makeup Artist: Fumiaki Nakagawa
Model: Anouk van Kleef @ Muse
Manicure: Casandra Lamar
Photo Assistants: Deborah Baik, Tiffany Liu, Morgan LaForge

New editorial for Fashion Gone Rogue!

Can't quite believe how I've never done something quite so clean and straightforward these past years. o_o

Motherland Chronicles #38 - A Prayer

Motherland Chronicles #38 - A Prayer

One for every soul lost.

Photography: Zhang Jingna

Hair: Junya Nakashima

Makeup: Tatyana Kharkova

Model: Germaine Persinger

Photo Assistants: Ngoc Vu, Linda Chow, Cong Lu

Dress: ArmStreet

Circlet & Choker: Harlequin Romantique

There is something a little more European about this image than the rest of my Motherland Chronicles pieces, I thought that was kind of nice. Then I realized that the pale hair and lashes reminded me of Ayami Kojima's work a little, which I thought hey, was pretty cool too, didn't see that when I was shooting. 

On set I had one of my favorite artists Lucong hang out and assist which was super sweet and kinda made me nervous, because omg someone I admire is watching my ghetto set where I take 10294828 hours just to get one picture. But, it turned out to be a really pleasant experience and we chatted about ways we work, old forum days and all that. :D

Super backlogged with posts and stuff but working on it! Excited about BlizzCon tomorrow!

Motherland Chronicles #37 - Masked

Motherland Chronicles #37 - Masked

Photography: Zhang Jingna
Hair: Junya Nakashima
Makeup: Viktorija Bowers
Model: Germaine Persinger
Photo Assistants: Ngoc Vu, Ernie Chang, Tiffany Liu
Mask by Casin dei Nobili

I was working on a behind-the-scenes post for this, then it kind of turned into a thorough entry on how to conceptualize a photoshoot @_@ Almost done with it now~ Hopefully posting next week! :D

Gonna be in LA for the next 2 weeks through BlizzCon!

Savage Seamless Paper and Muslin Backdrops

Those of you who follow me probably know that I got sponsored by Savage Universal a while ago. I've been using their backdrops for a few years now, and I figure now is a good time as any to give a little review/recap on the on this commonly overlooked element in studio photography. 

Fair warning though, not being too much of a technical person, this is going to be more of a how I use the backdrops than how smooth the paper gradients are in response to my light and stuff. :D

1. The Basics

The first backdrops I bought after moving to New York were black, white and gray. 

Regardless of brand, I think those are the best shades to have for a start as they are so versatile -- you can easily do the whole range of commercial, fashion, and moody. Adjusting the toning and lighting in post is also a lot easier with neutral shades than something that has color. 

Some examples with black and grays: 

Factice Magazine #19 cover, on Savage Fashion Gray Seamless Paper
ELLE Vietnam editorial, on Savage Black Seamless Paper
Sarah Dobson, on Savage Thunder Gray Seamless Paper


2. Monsoon Savage Collapsible Backdrop

The first great addition from to my inventory was the Savage Collapsible Backdrops.

I adore shooting portraits and beauty, and with the collapsible backdrops, I can easily accomplish the background set-ups by myself since they fold and unfold like a giant reflector. 

Savage Collapsibles, canvas backdrops, seamless and paper clips

Considering how often I do self portraits, small shoots and travel, this has made my life significantly easier. The backdrops are all sized at 5x6' and can be easily clipped onto their accompanying 8' stands.

My most frequently used are the Black/White, Light/Dark Gray, and Monsoon

The Black/White and Dark/Light Gray are great for portraits and castings, and as for Monsoon, I've been using it for Motherland Chronicles quite frequently. The shade and design on it is incredibly beautiful to photograph, and adds a painterly touch to a simple image:

MLC #21 - Her Resting Place
MLC #25 - The Raven Girl
MLC #12 - Winterland Fairytales II

3. Black/White Savage Collapsible Backdrop

I probably use the Black/White Collapsible way too much, but I love shooting on black so much and this makes my life so easy. 

The black is especially handy for when I want a completely dark background that has no light reflection.

Here's a direct comparison between the collapsible backdrop and regular seamless paper:

Black seamless paper vs fabric backdrop.

You can see the collapsible is almost completely black as it absorbs light from the strobe, whereas the seamless paper behind it catches and reflects a bit of light. Of course, with distance the light reflection won't be an issue (and you can even use gray or white to drop it to black) but for my little home studio this helps immensely.
 

MLC #31 - Book of Roses

4. Savage Paper Clip

The Savage Paper Clip is probably my favorite thing ever. It's a storage item that keeps your seamless rolls organized against your wall. 

For a while when I first started buying more backdrops I had difficulties storing everything behind my couch, but thanks to this, I can now keep everything in the little recess right next to my door, making it easy to access while saving space at the same time. 

Plus, I feel so neat every time I walk pass this wall in my room. :D

Seamless rolls clipped onto Savage Paper Clip

Each paper clip comes with an adhesive strip for you to stick the clip to the wall, and has slots for 6 rolls. I cut off one on the side to fit it into my a little corner so there's only 5 rolls here. 

But seriously, my favorite thing in my studio inventory.

5. Verona Hand-painted Muslin Backdrop

I also finally ventured into textured backdrops!


Muslin Backdrops: Verona and Dark Gray

After my experience with the Monsoon collapsible I'd been dying to get my hands on some full-length textured backdrops to shoot. Savage was very kind to send me the Verona and Dark Gray muslins.

Here's the Savage Verona Hand-painted Muslin used in "Ea":

MLC #33 - Ea
This is the first time I've worked with a colored backdrop in a long time too. Check out behind the scenes for the shoot here where I talk about my thought process from inspiration to final.

6. Savage Dark Gray Muslin Backdrop

Once started, it's really hard to not want textures in my backdrops for some reason. They so instantly make my pictures poetic :D 

Phuong My Fall/Winter 2013

This was shot with the Savage Dark Gray Washed Muslin Backdrop. Very subtle and adds a different type of dimension from my usual full-black backgrounds. 

I always find it incredible how a little texture goes a long way in images, whether on clothes, backdrops, image as a whole (done in post), etc... So I'm incredibly happy that I finally got to experiment with these. Thank you Savage for giving me to chance to test these out! ❤

And that's it for now, I hope this post has been helpful to who were wondering about the basics I started shooting with, as well as what I use and how these days. Pleas share if you've enjoyed it! Thank you for reading. :D

Check out more of my photography articles here, and my gear list here.

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